Royal trux white stuff rar11/26/2022 ![]() Such a perception isn’t entirely an illusion, for underneath those slate, chalkboard-like surfaces Brody has mixed a full range of colored pigment into the Venetian plaster she’s also separated each color and blended them into measured portions of the white oil paint. A patient viewer will begin seeing the colors of the spectrum, appearing from the gray mist like the rainbow in a rare Brocken specter. With thin almost-white lines painted a quarter inch apart on a gray grisaille background, the paintings generate what could be called a “visual tremolo,” to borrow a phrase from the critic Annette Michelson. In the pair of works, Glory Hole (roygbiv) (2008) and Glory Hole (vibgyor) (2009), the grid feels as if it’s continuously shifting, pulsating, bending, wavering-even bubbling. Without turning its back on nature or resisting development or play, as the grid is normally understood in art, this imagery helps to guide deeply felt aesthetic experiences and a sense of suspended time. In Nancy Brooks Brody’s second solo exhibition at Virgil de Voldère Gallery, the grid becomes a woven net that loosely embraces a number of ideas and elicits responses through pensive, deliberate viewing. Bas Jan Ader: In Search of the Miraculousĥ26 West 26th Street, Room 416, New York, NY.The Most Curatorial Bienniel in the Universe.Jean Freeman Gallery at Spoonbill Studio.Did You Read That? Art Editing on the Web.San Diego and the Origins of Conceptual Art.Jane Fox Hipple & Robert de Saint Phalle.I Like the Art World and the Art World Likes Me. ![]()
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